%0 Journal Article %T Reception “Requiem” V.A. Mozart in the Poem by M. Makatayev “Mozart. Requiem” %J Journal of Research in Applied Linguistics %I Shahid Chamran University of Ahvaz %Z 2345-3303 %A D. Abisheva, Saule %A A. Sabirova, Dina %A K. Serikova, Samal %A Zh. Baishukurova, Gulnur %A N. Polyak, Zinaida %D 2020 %\ 12/01/2020 %V 11 %N Proceedings of the 7th International Conference on Applied Linguistics Issues (ALI 2020), Saint Petersburg, 13-14 June 2020 %P 1-10 %! Reception “Requiem” V.A. Mozart in the Poem by M. Makatayev “Mozart. Requiem” %K Requiem %K Poem %K Analogue %K Motive %K Cinematic Interpretation %R 10.22055/rals.2020.16268 %X The Requiem in D minor, K. 626, by Wolfgang Amadeus Mozart (1756–1791), is a requiem mass. In late 1791, Mozart wrote part of the Requiem in Vienna, but it remained unfinished at the time of his death on 5 December of the same year. Franz Xaver Süssmayr delivered a completed version dated 1792 to Count Franz von Walsegg, who commissioned the piece for a requiem service to commemorate the anniversary of the death of his wife on 14 February. A cinematic interpretation of two “Requiems” was continued by brothers D. and A. Medetbaevs. Their 35-minute documentary film is dedicated to the intersection of Kazakh poet and Austrian composer. In the interview, filmmakers shared their thoughts: “The main idea of the film is the tragic fate of a genius and a talented Kazakh poet. They lived in different epochs, in different countries and different continents, but one thing united them – the desire to live, to love and to create. %U https://rals.scu.ac.ir/article_16268_7aa454e635bb128cbcca3bee61b44147.pdf