%0 Journal Article %T Allegory as A Linguistic Technique in The Tatar Poetry in the 1920s-1950s %J Journal of Research in Applied Linguistics %I Shahid Chamran University of Ahvaz %Z 2345-3303 %A F. Yusupov, Ayrat %A Marsovna Yusupova, Nurfiya %A Vasilyevna Sheyanova, Svetlana %D 2020 %\ 12/01/2020 %V 11 %N Proceedings of the 7th International Conference on Applied Linguistics Issues (ALI 2020), Saint Petersburg, 13-14 June 2020 %P 140-148 %! Allegory as A Linguistic Technique in The Tatar Poetry in the 1920s-1950s %K Tatar Poetry %K Allusion Technique %K Image Symbol %K Transformation %K Function %R 10.22055/rals.2020.16295 %X The article concentrates on studying one of the linguistic techniques called allusion technique in Tatar poetry at the background of traditional symbols semantic transformation in Tatar poetry in the 1920s-1950s. While exploring the topic, it is argued that Tatar poets turned symbol images traditional for the national literature into spokesmen for the "anti-ideological" position. The objective of the study is to explore the allusion technique via a prism of image symbols crosscutting for the national literature as a system of nominations based on Tatar poetry in the 1920-1950s. The scientific novelty is determined by a different approach to exploring the allusion technique: the study focuses on applying the symbol as a structure-forming component. Under the review, namely, symbols are proved to act as structure-forming components and are perceived as a possibility to change artistic paradigms, update an ideological and philosophical depth, and ambiguity. It also provides a possibility to "double read" the text and national traditions of Tatar poetry. %U https://rals.scu.ac.ir/article_16295_85e8c8475c956afa68d704020e06a5f0.pdf